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Book Chapters

  • lindsayhallam5
  • Jul 27, 2021
  • 2 min read

Updated: Jun 5

A list of edited anthologies I have contributed to:


“From a Dark Place: Indigenous Australian Horror”, in Transnational Horror, Folklore, and Cultural Politics, edited by Cüneyt Çakirlar, Liverpool University Press, 2025.


“The Euro-Vampire”, in The Palgrave Handbook of the Vampire, edited by Simon Bacon, Palgrave, 2024.


"Predators Far and Near: The Sadean Gothic in Penny Dreadful", in Penny Dreadful and Adaptation: Reanimating and Transforming the Monster", edited by Julie Grossman and Will Scheibel, Palgrave Macmillan, 2023.

“’So, you’ve taken someone else’s Nostalgia’: Trauma, Nostalgia and American Hero Stories”, in After Midnight: Analyzing the Post-Watchmen Sequels, edited by Drew Morton, University Press of Mississippi, 2022.


“Digital Witness: Found Footage and Desktop Horror as Post-Cinematic Experience” in New Blood: Framing Horror in the 21st Century, edited by Eddie Falvely, Joe Hickinbottom and Jonathan Wroot, University of Wales Press, 2020.


“Women’s Films: Melodrama and Women’s Trauma in the Films of David Lynch” in The Women of David Lynch, edited by David Bushman and Scott Ryan, Fayetteville: Fayetteville Mafia Press, 2019.


“Kill Lists: Sade, Cinema and the Language of the Torturer”, in Critical Insights: Violence in Literature, edited by Stacey Peebles, Ipswich: Salem Press, 2014.


“‘A Beautiful Life of Evil and Hate’: The Vampire-Witch in Mario Bava’s Black Sunday” in Dracula’s Daughters: The Female Vampire on Film, edited by Douglas Brode and Leah Deynecka, Lanham: Scarecrow Press, 2014.


“Dr. de Sade: A Sadean Approach to Representations of Mad Science in Horror Cinema” in Fragmented Bodies: Transnational Horror Across Visual Media, edited by Dana Och and Kristen Strayer, London: Routledge, 2013.


“Genre Cinema as Trauma Cinema: Post 9/11 Trauma and the Rise of ‘Torture Porn’ in Recent Horror Cinema” in Trauma, Media, Art: New Perspectives, edited by Michael Broderick and Antonio Traverso, Cambridge: Cambridge Scholars Press, 2010.


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