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  • lindsayhallam5
  • Jul 26, 2021
  • 2 min read

Updated: Feb 7, 2024

List of articles I have written for academic and non-academic publications. Not all of them are online, so contact me if you want to access any of the ones that are behind a paywall.




Contributed to Sight and Sound's The Greatest Films of All Time poll: https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time/all-voters/lindsay-hallam


Contributed to Sight and Sound's Best of 2021 polls in film and TV:


"Where to Begin with Video Nasties", BFI, https://www.bfi.org.uk/features/where-begin-with-video-nasties


“Down Under Rises Up: Nature’s Revenge in Ozploitation Cinema”, Cine-Excess Journal


“Drink Full and Descend: The Horror of Twin Peaks: The Return”, New American Notes Online


“The Atrocity Exhibition”, Sight and Sound, February 2020.


"5 Films That Made Me Love Horror"


"Occupied by Different Souls: Twin Peaks Episode 13"


“Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo”, 16:9 http://www.16-9.dk/2017/10/touching-the-colour/


"Donna McRae", Cut-Throat Women: A Database of Women Who Make Horror,


“‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy”, Journal of Italian Cinema and Media Studies, Volume 5, Issue 2, 2017.


"The Log Lady", "Perdita Durango", "Sandy Williams", "Diane Evans", "Janey-E Jones" Character Profiles for The Women of Lynch issue of The Blue Rose Magazine


“May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur”, Senses of Cinema.


"Neon Demons and Wormwood Stars: Occult and Esoteric Cinema", Mysteria Maxima Magazine: Issue 1


“‘Just Turn Green’: Dionysian Nature in Lars von Trier’s Antichrist”, Abraxas Journal of Esoteric Studies, Special Issue 2: Luminous Screen


“Monster Queen: The Transgressive Body of Divine in Pink Flamingos”, Bright Lights Film Journal


“‘100% Sadist’”: Violence Is Sex in Takashi Miike’s Ichi the Killer”, Asian Cinema


“Whips and Bodies: The Sadean Cinematic Text”, Senses of Cinema





 
 
 

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